Our history and founder
Cliveden Conservation was originally founded in 1982 by Trevor Proudfoot for the preservation of the National Trust’s buildings and statuary collections. Trevor was by trade a stonemason who championed the adoption of traditional materials, techniques and craftsmanship in conservation. In 1990 Cliveden Conservation became independent and expanded its services with workshops in Berkshire, Somerset and Norfolk.
30 years on, we are proud to continue our valued association with the National Trust as well as establishing close relationships with many other heritage organisations, architects and private clients. Sadly, Trevor is no longer with us but his son Lewis has taken over at the helm of Cliveden Conservation and is continuing to uphold his father’s legacy.
Our values
Putting best practice at the heart of everything we do, Cliveden Conservation creates sustainable relationships that value buildings, objects, people and their surroundings. Through research and informed decision making, our professional team deliver the most appropriate conservation interventions for your building or object. Our advice prioritises Conservation Philosophy – and does not compromise quality for cost. We are committed to…
Sharing knowledge
Establishing best practice
Pursuing professional development
Protecting the environment
Our Team

Lewis Proudfoot
Managing Director
Be patient and open to ideas
Conservation work should be pragmatic and closely tied to sustainability. It requires diligence, sensitivity and being receptive to other people’s views. Visiting sites and discussing complex conservation issues with passionate and skilful individuals who share a love of heritage is the favourite part of my job.

Tom Flemons
Bath Workshop Manager & Director
You never know where work will take you
As part of an ongoing project I have been very fortunate to have been involved on an archaeological site at Aphrodisias in SW Turkey. We have worked alongside an international team conserving the statuary and buildings. A great privilege to work on Roman objects in their original setting.

René Rice
Head of Decorative Arts
Condition surveys are vital
Ornamental ceilings, like music, are constructed from an ensemble of elements but also like music, can range in complexity and expression from the simple vernacular to the austere geometry of Classicism or the floridity of the Baroque. Because of these different characteristics, condition surveys are essential.

David Bloxam
Head of Architectural Projects
Hero of the conservation world is John Ashurst
Taking time to understand a project, its materials, history and the people involved is an essential part of conservation. Through communication, patience and a ‘can-do’ attitude I believe most problems can be overcome. This is why a project should never be rushed.

Berenice Humphreys
Contracts Manager
You never stop learning
There’s always new techniques or even little tips to learn. It’s not just learning from those more senior – many of the tips and new techniques will come from the younger generation. One skill we Conservators have is the ability to think ‘outside the box’ and relish approaching some of the more difficult challenges.

Keith Learoyd
Commercial Manager
What conservation means to me
The protection and preservation of our historic buildings, monuments, objects and sculptures by maintaining and repairing for the future. Also managing change to a place of historic interest in a way that sustains or sometimes enhances its importance for many years to come.

Julia Gynn (ACR)
Conservation Manager (Decorative Arts Section)
An unforgettable moment
The Roman marble statue of a cat from Powis Castle was an exceptional project. The research and treatment led to the successful replication of 18th-century repairs composed of beeswax. With the inspiring project began a thirst for knowledge on the techniques used by the 18th century restorers.

Kris Zykubek (ACR)
Senior Conservator (Decorative Arts)
A discovery can often led to something much bigger
During conservation works we found a small statue in a private garden which the owners thought was a cheap concrete cast. It was in fact a beautifully carved Italian marble by C19 Florentine artist. The statue was valued around £60K.

Ben Newman
Project Manager (Architectural Projects)
If it ain’t broke don’t fix it
It is about preserving our built heritage and respecting the artistry that made it. At the same time conservation needs to strike a balance between the reverence for the past and maintaining current craft skills and allowing those skills to flourish by replacing historic fabric where there is a sound argument.

Jimmy Aitken, MSc
Project Manager – Architectural Projects (Wren300 Project Lead)
Action can speak louder than words
Conservation is an endless debate. It’s great to listen but it’s also great to get on with some good, earnest, practical conservation. One of my best moments was hewing a large oak trunk down with axes and side axes and cutting to size with a trestle saw for replacement supporting beams in a medieval timber floor repair.
News

Five reasons why Winter Covers protect statues
How do you protect outdoor sculpture? Our specialist Winter Covers are the best solution to protect garden statues from cracks, weather Read more

Conservation team builds with new stone mason
Fully qualified stonemason, Samantha Peacock, is our newest member of the conservation team. She joins the Bath Workshop working on ... Read more

Sponsors of the Women in Natural Stone event
We are proud to announce our sponsorship of the Stone Federation’s first Women in Natural Stone (WINS) networking event on 15th June 2022. Read more

Lime mortar training
The Vice Chairman of The Friends of Ketts Heights said we provided an excellent introduction both the technical aspects of lime mortars Read more

A big welcome to our new stone and building restoration expert
We are delighted to announce the appointment of David Bloxam as Project Manager for the Stone Section of the business Read more

Plaster conservation for precious Victorian architectural gem
Conservation and repair work to the tower of the Saltaire United Reformed Church (URC) and its internal plaster ceiling is underway. Read more

ICON Talk: Gold shines new light on Elizabeth Tower
Cliveden Conservation's Senior Project Manager, Alexandra Miller, is delivering a talk 'Gold shines new light on Elizabeth Tower' as ... Read more

Nick Knowles: Heritage Rescue series showcases our work
Cliveden Conservation projects have been featured in Nick Knowles: Heritage Rescue, a new series about the restoration of some of ... Read more

Another great year of conservation
It has been another varied year for the team. We have been working on high with Christ and his entourage of apostles and angels at the ... Read more

Berkshire gathering for BLF Conference 2021
Cliveden Conservation to host a regional hub for the Building Limes Forum (BLF) online conference on Saturday 6th November 2021 at All ... Read more

The people behind Big Ben: Cliveden Conservation
Image: ©UK Parliament/Jessica Taylor We are taking part in the UK Parliament online talk series about the people working to conserve Read more

Highly Commended in the Building Crafts Award
Excellent design, architecture and craftmanship have been recognised at the 2021 Sussex Heritage Trust Awards. Chairman of the Sussex ... Read more